The Prisoner

“Jazz is freedom. You think about that.” – Thelonious Monk

How many lockdown weird habits did you acquire so far? Now don´t be shy, we are all together in this pandemic crazy cruise and it is absolutely fine to find a chill-down activity. My thing is to re-watch cartoons, mainly The Simpsons. Name an episode, any season and I´ve seen it at least twice. To be totally honest with you, the show has been my comfort content for quite a while (check out season 15, episode 22 and find out how I got inspiration for the name of this blog), but since the pandemic started it got way worse, proportionally to my need of being comforted. Before you think I could have found a less silly way of being comforted, let me say that the references on the show already led me to many interesting discoveries, such as the oeuvre of Edgar A. Poe, whose poem The Raven was the basis for my song Nevermore and, lately, the 1967 British television series The Prisoner.

The Orwellian, avant-guarde, psychedelic social critic saga of former secret agent Number Six (“I´m not a number! I´m a man!”), brilliantly interpreted by Patrick McGoohan trapped in an idyllic, yet in many aspects creepy place known as The Village comes as a reference in the sixth episode of The Simpsons’ twelfth season. I could not understand the many hints to the series at first, but after a little research… boom! I got totally hooked on it. I watched all the episodes, read the critics on them, saw the interviews with cast members about the many behind-the-scene stories, learned about Portmeirion and the Six of One appreciation society and, most of all, I enjoyed the music of the show. The irresistible mixture goes from classical music to Carmen Miranda, from spirituals to The Beatles. And jazz. A lot of jazz. 1960´s jazz combined many elements from Africa and Latin America, so expect congas and a very intense mood, which fits quite well the tense plot.

The inspired soundtrack alone could be the reason for my enchantment, not to mention that many issues addressed in the series, such as living under the constant surveillance of cameras and the limits of freedom are more relevant than ever, but I believe that the main element that made me fall in love with The Prisoner was empathy. Being one of the “happy few” still strictly following the hashtag #stayhome, I immediately related to the anger and confusion of the protagonist and his urge to get out, although lockdown in the Village sounds like a super premium triple upgrade to me right now.

Having a home is a huge privilege and I am sincerely grateful for mine, so do not consider this a complaint. I am just pointing out that sometimes, as the main tune in the last episode of The Prisoner says, all you need is love. Love is all you need.

Be seeing you!

G.F.

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